Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Hans von Maress
Oarsmen.Study for a Fresco at the Zoological Station in Naples

ID: 38648

Hans von Maress Oarsmen.Study for a Fresco at the Zoological Station in Naples
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Hans von Maress Oarsmen.Study for a Fresco at the Zoological Station in Naples


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Hans von Maress

1837 Elberfeld-1887 Rome  Related Paintings of Hans von Maress :. | Preaching of St John the Baptist | Apfelschalerin | Old Church Tower at Nuenen | Triumph of the Duke of Buckingham | Pack the hay |
Related Artists:
CLAEISSENS, Pieter the Younger
Flemish Northern Renaissance Painter, ca.1500-1575
Marcus Gheeraerts
1561-1636 Flemish Marcus Gheeraerts Gallery
Carlos de Haes
Spanish 1826-1898 Carlos de Haes Galleries Spanish painter of Belgian birth. In 1835 he moved with his parents to M?laga, where he studied under the court portrait painter and miniature painter Luis de la Cruz y R?os (1776-1853). In 1850 he returned to Belgium and studied with the landscape painter Joseph Quineaux (1822-95). During his studies there and on his travels in France, Germany and Holland, he became acquainted with contemporary Realist trends. He returned to Spain in 1855, becoming a naturalized Spaniard, and the following year he exhibited numerous landscapes at the Exposici?n Nacional, Madrid, to much acclaim. In 1857 he won the competition for the fourth chair of landscape painting at the Escuela de Bellas Artes in Madrid with View of the Royal Palace from the Casa de Campo (1857; Madrid, Real Acad. S Fernando), a work showing characteristics of the Barbizon and Fontainebleau landscape schools. In 1860 he was elected Acad?mico de m?rito at the Real Academia de S Fernando in Madrid. By 1861 he was officiating and drawing up the regulations for the landscape competitions for aspiring pensionnaires. Consequently plein-air works came to be required in place of the previous tradition of submitting historical landscapes executed in the studio, a practice that discouraged the study of nature. De Haes suggested that only final corrections should be made in the studio, an attitude that indicates his timid initiation and acceptance of Realist trends.






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